MARCEL ROCHAS
In the beginning Rochas was Mr Marcel Rochas. “Every current event is an excuse for me to create,” he once said. The woman, the era, the intuition… were all just right. An eye kept on a fast-changing world to accelerate the movement. This was the almost obsessional quest of the man who freed fashion from convention in the early 20th century, transforming it into a lesson in radiance and beauty for the next 30 years.
At the age of only 23, Marcel Rochas opened his couture house on Place Beauvau in Paris in 1925, before moving to Rue Matignon in 1931. The couturier brought the fresh breath of youth to haute couture. He built the wardrobe of the emancipated Parisian woman in the post-war years, whilst also creating perfumes that reflected a love affair with elegance and freedom.
Style or nothing! What matters is cutting a fine figure, the famous beautiful drape of the clothes. Rochas invented the basque, designed the mermaid evening gown, liberated women’s bodies with his ¾ coats and square shoulders, and created the Bird dress inspired by the artists of his day. Timeless classics that the couturier reinvented for every season.
Always a pioneer, Marcel Rochas democratised fashion by offered haute couture at affordable prices. An overnight success. Women flocked to buy clothes from the man whose slogan was “‘elegance, simplicity and youth”.
When Marcel Rochas met his future wife and muse, Hélène, on the Paris Métro, it was love at first sight. A passion that never left him and inspired a new language of the female body, beautified instead of dramatised. The Femme perfume would be one of his greatest declarations of love.
LIFE’S A CELEBRATION
Celebrating
Life
Elegance, taste, celebration: after the Liberation, Paris became a city of pleasure once again. Hélène and Marcel Rochas were at every society function. Madame wore her husband’s finest creations, many of them created on and for her. The couple dazzled at the Nuit de Pré-Catelan masked ball (1946) where Hélène appeared with an extravagant black mask in the shape of a bat; they attended Maurice de Rothschild’s ball inspired by fairy tale characters (1948) and the Bal des Oiseaux (the Bird Ball) given by the Princesse de Polignac at the Palais Rose de Boni de Castellane (1949).
Celebrating
Elegance
For the launch of Femme (1943), Marcel Rochas organised an exhibition “Les Parfums à travers la Mode 1765-1945” (Perfumes in fashion) in his own salons as a tribute to the couturier Paul Poiret. The Moustache (1949) perfume for men and the first complete range of products for men also gave rise to a legendary party where the men wore moustaches and women wore mouches, fake beauty marks, and an exhibition “Portraits d’hommes du xvie siècle à nos jours” (Portaits of men from the 16th century to today). When Hélène Rochas took over the firm, she continued the tradition of putting on cultural events, organising the My Fair Lady Ball at the Grande Cascade du Bois de Boulogne (1965) and the Monte-Carlo Centenary Ball (1966) at the request of Prince Rainier III.
NATURE ACCORDING TO ROCHAS
With Rochas, nature is synonymous with French-style gardens, eternal springs, freshness and innocence. Never dry, these gardens are constantly irrigated by the water of dreams and lit by the sun of the imagination. Rochas’ birds and flowers are regularly revisited in the ready-to-wear creations and perfumes. They are part of the natural lifeblood of Rochas, a constant presence thronging with a multitude of colours and a very Parisian spirit.
Water, a theme dear to Hélène Rochas, is to this day still inspiring the mythical Eau de Rochas and its newer versions. Maison Rochas continues the odyssey, with a recent addition to its collection – Girl, the brand’s first vegan perfume, made from 90% natural ingredients.
AN ARTISTIC
REVOLUTION
By inviting art into haute couture, Marcel Rochas became one of the first couturiers to initiate a true dialogue with the artists he admired. The Art Déco-inspired boutique at no. 12, Avenue Matignon was decorated in a bold modern style in navy blue and white with huge mirrors. The Bird dress (1934), a long black sheath dress with a huge white seagull at the neckline, remains one of the couturier’s finest tributes to the Surrealist works of Picasso and Matisse. The first perfumes became works of art. Inventing shapes, playing with the possibilities offered by glass, imagining different forms of cap for the bottles: the objects that contained the perfumes became masterpieces themselves.
HÉLÈNE ROCHAS
From muse to businesswoman, discover the fascinating life of Hélène Rochas.